Atoosa Pour Hosseini, ‘The Magic Circle’

20 October – 3 December 2023

Opening Performance: Thursday 19 October 2023, 6:00pm. Booking essential
Opening Reception: Thursday 19 October 2023, 6:30pm

Influenced by early avant-garde cinema, Atoosa Pour Hosseini explores the coalescence of illusion and reality through the media of film, video installation, sculpture, and performance.

She works with the material textures of 8mm and 16mm film as well as digital processes to explore layers of space and timelessness.

Her implementation of these technical devices creates a cinematic encounter of memory and perception.

Pour Hosseini’s technique explores the play of light in nature and its insistent elemental forces of water, fire and air, which have inspired the interior world and psyche throughout human history and spirituality.

The solar cycle and reflections on water’s surface are recurring motifs, as well as light phenomena that occur when recording with analogue cameras, such as refraction and lens flare.

Her new film installation, The Magic Circle, takes the crepuscular hours of dusk as its setting, allowing the dissolution of light to reveal the enchanting or ominous possibilities of nighttime.

The film’s saturated and dreamlike palette, Olesya Zdorovetska’s unnerving layered vocal score, and Pour Hosseini’s installation of hanging chiffon fabric are lures into a mesmeric landscape, a dreamlike blurring of unconscious experience.

The Magic Circle portrays a foreboding character wearing veiled garments and a ceremonial headdress, enacting rituals associated with conjuring and magic.

The sorceress, played by Yasaman Pishvaei, traces circles in the sand in front of a rolling seascape, and paces around a darkened interior illuminated by candlelight.

These meditative actions appear to recreate purifying or protective spells.

Pour Hosseini’s mastery of lighting, superimposition and the chemical alchemy of traditional film processing animate the spectral out-of-body apparition of Pishvaei’s character.

The prevalence of witchcraft, its punishment and expulsion, align with the growth of misogynistic ideologies since the Middle Ages.

Prior to this time, priestesses, mediums, herbalists, healers, midwives, and other roles persecuted through the myth of witchcraft, were community members connected to nature and seasonal practices.

The Magic Circle takes as its primary source the 1886 painting of the same name by Pre-Raphaelite John William Waterhouse.

The painting depicts a witch drawing power from a smoking cauldron and using a wand to draw a protective circle around herself.

The circle excludes several symbols of evil associated with witchcraft, such as crows and frogs, in a barren desert landscape.

The Victorian artistic trope of depicting women as enchantresses, or having the power to deceive or cause harm paralleled the concurrent Suffragette movement and campaigns for women’s rights.

Pour Hosseini repurposes this symbolism and suppressed power through her ‘radical capacity for conjuring a shadow vision of the world from a place of exile’1.

The final scenes of The Magic Circle show the sorceress tempering flames and observing the endless tidal movement of the sea from the shoreline within a circle of fire.

Fire is the most ancient of magics and, along with art-making, one of the earliest forms of human self-discovery.

Through its cyclical propensity for destruction and regrowth, a new world may come into being.

1 Maximilian Le Cain, ‘Memory Without Past’, Atoosa Pour Hosseini 2011-2021, Oonagh Young Gallery, Dublin, 2022

Atoosa Pour Hosseini is an Iranian-Irish artist filmmaker based in Dublin. Recent exhibitions and screenings include Irish Museum of Modern Art, Dublin (2023); fsk Kino am Oranienplatz, Berlin (2023); Oonagh Young Gallery, Dublin (2022); Jeu de Paume, Paris (2021); Project Arts Centre, Dublin (2021); The Dock, Carrick-on-Shannon (2021); The Lab, Dublin (2018); Museum of the Moving Image, New York (2017). Pour Hosseini is Co-Director of Experimental Film Society. Her monograph, Atoosa Pour Hosseini 2011-2021, was published by Oonagh Young Gallery (2021), and an artist’s book, Hours of the Wolf, was published by Temple Bar Gallery + Studios (2022). Pour Hosseini’s work is held in the collections of the Irish Museum of Modern Art and the Arts Council of Ireland.