MARTIN Scorsese is a cinematic master of his art, or so we are told. And indeed his body of work, from ‘Mean Streets’ to ‘The Departed’, indicates impressive credentials.
While his latest movie, ‘Silence’, may unfairly be described as Scorsese’s vanity project, it seems his own faith and passion were absolutely the main reason it got made.
The film tells the story of two Christian missionaries (Andrew Garfield and Adam Driver) who face the ultimate test of their beliefs when they travel to 17th century Japan in search of their missing mentor (Liam Neeson) – at a time when Christianity was outlawed. A kind of Saving Father Ryan if you will.
Not a bad set up for a story (it certainly worked for Spielberg) but this is altogether a very different kind of beast. While the run time is almost identical in both movies, a leg-numbing two hours 40 minutes, ‘Saving Private Ryan’ zips along with constant action, conflict and drama.
‘Silence’ on the other hand drags. There isn’t much action, but there is a lot of naval gazing, debating the virtues of faith, and talking, lots and lots of talking. Oh and silence, there must be about half an hour of silence too.
There are, however, some redeeming features of this film. The cinematography is impressive as too is Andrew Garfield in the lead role. The ending, if you can make it, is also nicely done, although I seemed to take the opposite meaning from the one intended by the director, i.e. isn’t it amazing what we can overcome if we stick to our beliefs.
I could only see the ridiculous things we do in the name of religion. And that’s where I and Mr Scorsese differ. If you feel like you’re in need of some penance, I suggest you indulge in some self flagellation or better still take a brisk barefoot hike up Croagh Patrick. At least you’ll get some fresh air.
We score ‘Silence’ a crucifyingly grim 2 out of 5 stars.
Paul O’Rourke
Other releases:
A Monster Calls – 4 Stars
Assassin’s Creed – 2 Stars
